I've had one roll of 120 Delta 3200 sitting to be developed from the 4am Project shoot earlier in the month, as well as a roll of Tri-x 400 35mm, Efke 50 120 and today I just burned through a roll of Kodak 3200. I got through the Delta 3200 and the Tri-x 400, mostly because they were the oldest undeveloped rolls and also because the Tri-x 400 was what I shot this past week and I needed a photo for week 16.
This roll was the first roll I've run through my inherited Argus C3 camera. According to the wikipedia entry for the C3 it was the best selling 35mm camera in America for nearly three decades. That's insane. It's a rangefinder, with separate viewfinders: one for setting focus and the other for composition. The viewfinders are about the diameter of an eraser, so composing shots isn't the easiest thing in the world.
Oh, and there's no meter.
I had no idea how much I relied on my other camera's built in meters to help me figure out exposure. Without the meter to tell me whether I had a scene properly exposed or not I had to wing it. I used a calculator I found on the web to give me a starting point, then adjusted as the scene dictated. It was tricky, but thankfully I was using negative film which gives you a little more wiggle room than slide film.
I got a few decent shots, but it's clear I still have a lot to learn about shooting with this camera.
Here's the shot I chose for this week. Taken near the Union Oyster House in Boston, MA.
And here are a few outtakes, mostly from last week, but some might be from weeks past.
1 comments:
Matt, I really like the last one, actually -- the little girl playing hopscotch. V. nice in b&w, too.
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